KATSURA YAMAUCHI | ||
Katsura Yamauchi Mori JVT0022 (Jvtlandt 2022) CD Release: 20/12/2022
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Solo pieces for sopranino saxophone
“Wandering in the forest, heading towards the light”
Katsura Yamauchi (Salmosax) / 山内桂: sopranino sax
Compositions by Katsura Yamauchi
Recorded in Oita, Japan by Katsura Yamauchi on 20 & 22 02/2022
Mastering by Koichiro Satake / 佐竹綱一郎
Cover design & photos by Katsura Yamauchi
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Katsura Yamauchi returns with a new solo album 15 years following his last, this time in the form of a historical first: An album of original compositions exclusively for sopranino saxophone. Continuing the main theme of Yamauchi’s works - the expression of the sensations of the natural environment in musical form - the album is austere but lyrical, striking but warm, direct but elegant.
Katsura Yamauchi (b. 1954)
Katsura Yamauchi picked up his first saxophone in the early 1970s and was quickly drawn to modern jazz, avant-garde and free improvisation. Born in Beppu, far from the traditional creative centers around the bigger cities of Japan, Yamauchi was until recently relatively unknown, but has now shown himself to be one of the most unique musicians in Japan.
For years Katsura Yamauchi was sporadically active as both musician and concert organizer and helped arrange performances in Japan for veteran musicians from both the USA and Europe, such as Derek Bailey, Peter Brötzmann and Milford Graves.
Not until 2002 did he quit his regular job to dedicate himself fully to music. Yamauchi was influenced by the new experimental sounds coming from Tokyo, but had developed his own original style, mixing improvisation and minimalism with melodic elements. The music is at the same time challenging and easily accessible, unrecognizable and beautiful.
Katsura Yamauchi has released several solo CDs and recorded with Michel Doneda, Gunter Müller and Norbert Möslang from Voice Crack and performed with Taku Unami, I.S.O., Misha Mengelberg, Tatsuya Nakatani, Sharif Sehnaoui, Jason Kahn, Otomo Yoshihide, sachiko M, Barre Phillips, Kim Dae-Hwan, Gino Robair, Toshinori Kondo, Yoshimitsu Ichiraku, Travassos, Toshimaru Nakamura, Seijiro Murayama, Han Bennink and many others. His latest group, Sagaing, released their debut titled “Aki” on Jvtlandt in 2020.
In addition to extensive activity in Japan, Katsura Yamauchi has toured the USA and several times in Europe. He has performed at many international festivals, including Musique Innovatrices, Castello Canalis, Beppu Contemporary Art Festival, Ftarri Festival, Amplify Festival and Asian Meeting Festival.
"Katsura Yamauchi is really both a new and a veteran artist... I am greatly refreshed by his energetic and confident performance."
- Otomo Yoshihide, July 2003 |
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REVIEWS This is the first time I hear a release with pieces for a sopranino solo. I haven’t heard the name Katsura Yamauchi. Apparently, he’s been playing the sax since the seventies and has been active as an organizer of concerts in Japan. Even better, he played with Derek Bailey, Han Bennink and the who’s who of the Japanese impro scene, Toshinori Kondo, for example. The aesthetics of this release is one of simplicity and confidence. The sopranino is especially hard to play in tune, even harder than the soprano sax. The pieces depict nature made into sound. Salmo (Salmon in Japanese) is the most technologically advanced piece here, with cascading waterfall runs, the type preferred by salmon to go up against in mating season. Apart from this one, the pieces are not that technically challenging, keeping the notes in tune is a different story, of course. Irrawaddy is named after the river running through Myanmar. The melody consists of long notes with faster runs in between, with silences between them. Silence is essential throughout as many melodic lines are repeated many times but with each a very slightly different length. That’s the minimalistic approach of Yamauchi. Some might find this boring. To me, it’s a mesmerizing and relaxing way of listening to music. The last piece Uzo (named after the Greek alcoholic drink, I think), is almost folklike in its simplicity and, therefore, quite an earworm. As stated earlier, this isn’t pyrotechnics on sopranino but lovely music that is a refreshing take on minimalism with ma, a Japanese concept of meaningful silence between the notes. Now, where did I put my soprano sax? Also, this isn’t his first solo album. The last one was recorded 15 years ago. I might track that one down as well. For tre år siden da coronaen rasede fik jeg et yndlingsalbum. Den japanske trio Sagaing og deres beroligende album Aki leverede skønheden midt i al meningsløsheden. A PIECES THAT EVOKES STORIES AND IMAGES BY A JAPANESE SAXOPHONIST - Kazuhiko Namekawa (Music Magazine, June 2023 issue) |